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'One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.'
Revealing the truths and realities about Irish society in the early 20th century, Joyce's Dubliners challenged the prevailing image of Dublin at the time. A group portrait made up of 15 short stories about the inhabitants of Joyce's native city, he offers a subtle critique of his own town, imbuing the text with an underlying tone of tragedy. Through his various characters he displays the complicated relationships, hardships and mu
'One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.'
Revealing the truths and realities about Irish society in the early 20th century, Joyce's Dubliners challenged the prevailing image of Dublin at the time. A group portrait made up of 15 short stories about the inhabitants of Joyce's native city, he offers a subtle critique of his own town, imbuing the text with an underlying tone of tragedy. Through his various characters he displays the complicated relationships, hardships and mu
THE DUBLINERS, Joyce, James
ΠΡΠΎΡ ΡΠΎΠ²Π°Ρ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΡΡ
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
'One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.'
Revealing the truths and realities about Irish society in the early 20th century, Joyce's Dubliners challenged the prevailing image of Dublin at the time. A group portrait made up of 15 short stories about the inhabitants of Joyce's native city, he offers a subtle critique of his own town, imbuing the text with an underlying tone of tragedy. Through his various characters he displays the complicated relationships, hardships and mundane details of everyday life and the desire for escape - a yearning that so closely mirrored his own experiences.
- Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ 242
- ΠΠ΅Ρ, Π³ 130
- Π Π°Π·ΠΌΠ΅Ρ 1.6x11x17.7
- ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Harper Collins Publishers
- Π‘Π΅ΡΠΈΡ Collins Classics
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2021
- ISBN 978-0-00-744940-8
- ID ΡΠΎΠ²Π°ΡΠ° 2971488
ΠΡΠ·ΡΠ²Ρ
ΠΡΠ»ΠΈΡΠ½ΠΎΠ΅ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²ΠΎ Ρ ΠΠΆΠΎΠΉΡΠΎΠΌ
ΠΡ Π²ΡΠ΅ ΡΠ»ΡΡΠ°Π»ΠΈ ΠΎ ΡΡΡΠ°ΡΠ½ΠΎΠΌ Β«Π£Π»ΠΈΡΡΠ΅Β» ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ»ΠΈ, Π½Π°Π²Π΅ΡΠ½ΠΎΠ΅, ΡΡΠΎ Ρ ΠΠΆΠΎΠΉΡΠ° Π²ΡΠ΅ ΠΊΠ½ΠΈΠ³ΠΈ ΡΠ»ΠΎΠΆΠ½ΡΠ΅. ΠΠΎ Β«ΠΡΠ±Π»ΠΈΠ½ΡΡΒ» ΡΠ°Π·ΡΡΡΠ°ΡΡ ΡΡΠΎΡ ΠΌΠΈΡ β ΡΠ±ΠΎΡΠ½ΠΈΠΊ ΡΠ°ΡΡΠΊΠ°Π·ΠΎΠ² Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π΄ΠΎΡΡΡΠΏΠ½ΡΠΉ, Π½ΠΎ ΠΈ Π±Π΅Π·ΡΠΌΠ½ΠΎ ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠ½ΡΠΉ.
ΠΠ²ΡΠΎΡ Π·Π½Π°ΠΊΠΎΠΌΠΈΡ Π½Π°Ρ Ρ ΠΆΠΈΠ·Π½ΡΠΌΠΈ ΠΌΠ½ΠΎΠ³ΠΈΡ Π»ΡΠ΄Π΅ΠΉ ΠΡΠ±Π»ΠΈΠ½Π°, ΠΈΡ ΡΡΠ΄ΡΠ±Π°ΠΌΠΈ ΠΈ Π³ΠΎΡΠΎΠ΄ΠΎΠΌ. ΠΠΎ Π²ΡΠ΅ΠΌΡ ΡΡΠ΅Π½ΠΈΡ ΠΊΠ°ΠΆΠ΅ΡΡΡ, Π±ΡΠ΄ΡΠΎ ΠΈ ΡΡ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡΡ ΡΠ°ΠΌ, Π° Π»ΡΠ΄ΠΈ ΠΊΠ°ΠΆΡΡΡΡ ΡΠΎΠ²ΡΠ΅ΠΌ Π·Π½Π°ΠΊΠΎΠΌΡΠΌΠΈ.
ΠΠΎΡΡΡΠΏΠ½ΡΠΉ, Π½ΠΎ ΠΊΡΠ°ΡΠΈΠ²ΡΠΉ, ΠΎΠ±ΡΠ°Π·Π½ΡΠΉ ΡΠ·ΡΠΊ, ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΡΠΉ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ ΠΈ ΠΈΡΡΠΎΡΠΈΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ Π·Π°Ρ ΠΎΡΠ΅ΡΡΡ ΠΏΠ΅ΡΠ΅ΡΠΈΡΡΠ²Π°ΡΡ.
ΠΠ²ΡΠΎΡ Π·Π½Π°ΠΊΠΎΠΌΠΈΡ Π½Π°Ρ Ρ ΠΆΠΈΠ·Π½ΡΠΌΠΈ ΠΌΠ½ΠΎΠ³ΠΈΡ Π»ΡΠ΄Π΅ΠΉ ΠΡΠ±Π»ΠΈΠ½Π°, ΠΈΡ ΡΡΠ΄ΡΠ±Π°ΠΌΠΈ ΠΈ Π³ΠΎΡΠΎΠ΄ΠΎΠΌ. ΠΠΎ Π²ΡΠ΅ΠΌΡ ΡΡΠ΅Π½ΠΈΡ ΠΊΠ°ΠΆΠ΅ΡΡΡ, Π±ΡΠ΄ΡΠΎ ΠΈ ΡΡ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡΡ ΡΠ°ΠΌ, Π° Π»ΡΠ΄ΠΈ ΠΊΠ°ΠΆΡΡΡΡ ΡΠΎΠ²ΡΠ΅ΠΌ Π·Π½Π°ΠΊΠΎΠΌΡΠΌΠΈ.
ΠΠΎΡΡΡΠΏΠ½ΡΠΉ, Π½ΠΎ ΠΊΡΠ°ΡΠΈΠ²ΡΠΉ, ΠΎΠ±ΡΠ°Π·Π½ΡΠΉ ΡΠ·ΡΠΊ, ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΡΠΉ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ ΠΈ ΠΈΡΡΠΎΡΠΈΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ Π·Π°Ρ ΠΎΡΠ΅ΡΡΡ ΠΏΠ΅ΡΠ΅ΡΠΈΡΡΠ²Π°ΡΡ.
ΠΠ»ΡΡΡ
ΠΡΠ»ΠΈΡΠ½ΠΎΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΠΎ Π΄ΠΎΡΡΡΠΏΠ½ΠΎΠΉ ΡΠ΅Π½Π΅. Π¨ΡΠΈΡΡ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΌΠ΅Π»ΠΊΠΈΠΉ, Π½ΠΎ ΠΌΠ½Π΅ ΠΏΠΎΠΊΠ°Π·Π°Π»ΡΡ ΡΠ΄ΠΎΠ±Π½ΡΠΌ. ΠΡΡΡ ΠΌΠ΅ΡΡΠΎ Π½Π° ΠΏΠΎΠ»ΡΡ
.