A Guardian Best Book of the 21st Century.
In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart.
In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart.
Underland
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart.
- Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ 488
- ΠΠ΅Ρ, Π³ 389
- Π Π°Π·ΠΌΠ΅Ρ 3x13x19.7
- ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Penguin Books
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2019
- ID ΡΠΎΠ²Π°ΡΠ° 2847195
ΠΡΠ·ΡΠ²Ρ
ΠΡΠ»ΠΈ ΠΊΡΠΎ-ΡΠΎ Ρ
ΠΎΡΠ΅Ρ ΠΏΠΎΡΡΠ²ΡΡΠ²ΠΎΠ²Π°ΡΡ, ΡΡΠΎ ΡΠ°ΠΊΠΎΠ΅ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠΉ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ ΡΠ·ΡΠΊ, ΡΠΎ ΡΠ°ΠΊΠ°Ρ ΠΊΠ½ΠΈΠ³Π° Π±ΡΠ΄Π΅Ρ ΠΎΡΠ»ΠΈΡΠ½ΡΠΌ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠΌ. Π ΠΊΠ½ΠΈΠ³Π΅ Π½Π΅Ρ Π½ΠΈΠΊΠ°ΠΊΠΎΠ³ΠΎ Π²ΡΠ΄ΡΠΌΠ°Π½Π½ΠΎΠ³ΠΎ ΡΡΠΆΠ΅ΡΠ° - ΡΡΠΎ ΡΠΈΡΡΠΎ (ΡΠ°ΠΊ ΡΠΊΠ°ΠΆΠ΅ΠΌ Π·Π°ΠΌΠ΅ΡΠΊΠΈ) ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΎ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ
ΠΌΠ΅ΡΡΠ°Ρ
, ΠΊΠΎΡΠΎΡΡΠ΅ Π°Π²ΡΠΎΡ ΡΠ°ΠΌ ΠΏΠΎΡΠ΅ΡΠΈΠ» ΠΈ ΡΠ΅ΠΏΠ΅ΡΡ ΠΏΡΠΎ Π½ΠΈΡ
ΠΏΠΈΡΠ΅Ρ.
ΠΠ»ΡΡΡ
ΠΡΡΡ ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΈ (ΠΈΡ
Π½Π΅ΠΌΠ½ΠΎΠ³ΠΎ); Π―Π·ΡΠΊ ΠΊΠ½ΠΈΠ³ΠΈ Π½Π°ΠΏΠΈΡΠ°Π½ ΠΎΡΠ΅Π½Ρ ΠΏΡΠΎΡΡΠΎ (Π½Π΅ Π²ΡΡΡΠ΅ΡΠΈΡΠ΅ ΠΌΠ½ΠΎΠ³ΠΎ ΡΠΎΡΠΌΠ°Π»ΡΠ½ΡΡ
ΡΠ»ΠΎΠ²); ΠΠΎΡΡΡΠΎΠ΅Π½ΠΈΠ΅ ΡΡΠΆΠ΅ΡΠ° ΡΠΎΠΆΠ΅ ΠΏΡΠΎΡΡΠΎΠ΅ ΠΈ ΠΎΡΠ΅Π½Ρ ΠΏΠΎΠ½ΡΡΠ½ΠΎΠ΅;