In the midst of a meaningless and increasingly futureless world, between the devil of the state and the deep blue sea of the market, they invite us to continue stoically and modestly performing our dutyβ€”to preserve and cherish the cultural heritage that makes us who we are and keep it away from the abyss. Maybe that is why Tightrope and On the Benefits of Pyramids are ultimately uplifting and cathartic for both participants and audience. Is this not the true power of art? β€”Madina Tlostanova Published to document a project by the Dagestani artist Taus Makhacheva that consists of the film Tightrope and the series of performances On the Benefits of Pyramids in Cultural Education, Strengthening
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Tightrope

3.0 (1 ΠΎΡ†Π΅Π½ΠΊΠ°)

ОписаниС ΠΈ характСристики

In the midst of a meaningless and increasingly futureless world, between the devil of the state and the deep blue sea of the market, they invite us to continue stoically and modestly performing our dutyβ€”to preserve and cherish the cultural heritage that makes us who we are and keep it away from the abyss. Maybe that is why Tightrope and On the Benefits of Pyramids are ultimately uplifting and cathartic for both participants and audience. Is this not the true power of art? β€”Madina Tlostanova Published to document a project by the Dagestani artist Taus Makhacheva that consists of the film Tightrope and the series of performances On the Benefits of Pyramids in Cultural Education, Strengthening of National Consciousness, and the Formation of Moral and Ethical Guideposts, this book is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. The publication offers insight into the artist’s practice and elaborates on the topics she tackles in her works. The interplay between the histories of art and the narratives that structure one’s identity are further examined in the contributions by curator Bart De Baere, decolonial theorist Madina Tlostanova, and archivist Sabih Ahmed. In addition to documentation of the film and performances, the volume also contains a selection of black-and-white photographs from the Abakarov family archiveβ€”a dynasty of Dagestani tightrope walkersβ€”and color plates of sixty-one works from the collection of Dagestan Museum of Fine Arts Named after P. S. Gamzatova that are featured in Makhacheva’s film.
  • Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ Π’Π²Ρ‘Ρ€Π΄Ρ‹ΠΉ ΠΏΠ΅Ρ€Π΅ΠΏΠ»Ρ‘Ρ‚
  • ΠšΠΎΠ»ΠΈΡ‡Π΅ΡΡ‚Π²ΠΎ страниц 182
  • ВСс, Π³ 330
  • Π Π°Π·ΠΌΠ΅Ρ€ 1.3x13x20.6
  • Π˜Π·Π΄Π°Ρ‚Π΅Π»ΡŒΡΡ‚Π²ΠΎ V-A-C press
  • Π“ΠΎΠ΄ издания
  • ISBN 978-8-86-749274-9
  • ID Ρ‚ΠΎΠ²Π°Ρ€Π° 2657802

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Книга «Tightrope» Π΅ΡΡ‚ΡŒ Π² Π½Π°Π»ΠΈΡ‡ΠΈΠΈ Π² ΠΈΠ½Ρ‚Π΅Ρ€Π½Π΅Ρ‚-ΠΌΠ°Π³Π°Π·ΠΈΠ½Π΅ «Π§ΠΈΡ‚Π°ΠΉ-Π³ΠΎΡ€ΠΎΠ΄» ΠΏΠΎ ΠΏΡ€ΠΈΠ²Π»Π΅ΠΊΠ°Ρ‚Π΅Π»ΡŒΠ½ΠΎΠΉ Ρ†Π΅Π½Π΅. Если Π²Ρ‹ Π½Π°Ρ…ΠΎΠ΄ΠΈΡ‚Π΅ΡΡŒ Π² ΠœΠΎΡΠΊΠ²Π΅, Π‘Π°Π½ΠΊΡ‚-ΠŸΠ΅Ρ‚Π΅Ρ€Π±ΡƒΡ€Π³Π΅, НиТнСм НовгородС, Казани, Π•ΠΊΠ°Ρ‚Π΅Ρ€ΠΈΠ½Π±ΡƒΡ€Π³Π΅, РостовС-Π½Π°-Π”ΠΎΠ½Ρƒ ΠΈΠ»ΠΈ любом Π΄Ρ€ΡƒΠ³ΠΎΠΌ Ρ€Π΅Π³ΠΈΠΎΠ½Π΅ России, Π²Ρ‹ ΠΌΠΎΠΆΠ΅Ρ‚Π΅ ΠΎΡ„ΠΎΡ€ΠΌΠΈΡ‚ΡŒ Π·Π°ΠΊΠ°Π· Π½Π° ΠΊΠ½ΠΈΠ³Ρƒ «Tightrope» ΠΈ Π²Ρ‹Π±Ρ€Π°Ρ‚ΡŒ ΡƒΠ΄ΠΎΠ±Π½Ρ‹ΠΉ способ Π΅Π³ΠΎ получСния: самовывоз, доставка ΠΊΡƒΡ€ΡŒΠ΅Ρ€ΠΎΠΌ ΠΈΠ»ΠΈ ΠΎΡ‚ΠΏΡ€Π°Π²ΠΊΠ° ΠΏΠΎΡ‡Ρ‚ΠΎΠΉ. Π§Ρ‚ΠΎΠ±Ρ‹ ΠΏΠΎΠΊΡƒΠΏΠ°Ρ‚ΡŒ ΠΊΠ½ΠΈΠ³ΠΈ Π²Π°ΠΌ Π±Ρ‹Π»ΠΎ Π΅Ρ‰Ρ‘ приятнСС, ΠΌΡ‹ Ρ€Π΅Π³ΡƒΠ»ΡΡ€Π½ΠΎ ΠΏΡ€ΠΎΠ²ΠΎΠ΄ΠΈΠΌ Π°ΠΊΡ†ΠΈΠΈ ΠΈ ΠΊΠΎΠ½ΠΊΡƒΡ€ΡΡ‹.