
Joan Didion's hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties.
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Ja
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Ja
The White Album
ΠΡΠΎΡ ΡΠΎΠ²Π°Ρ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΡΡ
ΠΡΠΏΠΈΠ»ΠΈ 23 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson's girls. She and her reader emerge, cauterized, from this devastating tour of that age of self discovery into the harsh light of the morning after.
- ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Harper Collins Publishers
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2017
- ΠΠ²ΡΠΎΡ Joan Didion
- ΠΠΎΠ»-Π²ΠΎ ΡΡΡ. 224
- ΠΠ΅Ρ 156 Π³
- Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- Π Π°Π·ΠΌΠ΅Ρ 1.4x12.8x19.8
- ID ΡΠΎΠ²Π°ΡΠ° 2971798
- ISBN 978-0-00-828468-8
ΠΡΠ·ΡΠ²Ρ
ΠΠ½ΠΈΠ³Π° ΠΏΠΎΠ½ΡΠ°Π²ΠΈΠ»Π°ΡΡ, Π½ΠΎ Π»ΠΈΡΠ½ΠΎ Ρ ΠΎΠΆΠΈΠ΄Π°Π»Π° Π½Π΅ΠΌΠ½ΠΎΠ³ΠΎ Π΄ΡΡΠ³ΠΎΠ³ΠΎ ΠΈΡΡ
ΠΎΠ΄Π° Π² ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Π΅ ΠΈ ΠΊΠΎΠ½ΡΠ΅ ΠΈΡΡΠΎΡΠΈΠΈ. Π Π΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΡ Π΄Π»Ρ ΡΠ΅Ρ
, ΠΊΠΎΠΌΡ Π½ΡΠ°Π²ΠΈΡΡΡ ΠΏΡΠΎΠ·Π° ΠΎΠ± ΠΠΌΠ΅ΡΠΈΠΊΠ΅ 60-80Ρ
Π³ΠΎΠ΄ΠΎΠ², Π°ΡΠΌΠΎΡΡΠ΅ΡΠ° ΠΏΡΠΎΡΡΠΎ Π½Π΅Π²Π΅ΡΠΎΡΡΠ½Π°Ρ. Π― ΠΏΠΎΡΠ»Π΅ ΠΏΡΠΎΡΡΠ΅Π½ΠΈΡ ΠΠ΅ΠΉΠ·ΠΈ ΠΠΆΠΎΠ½Ρ ΠΎΡΠ΅Π½Ρ Ρ
ΠΎΡΠ΅Π»Π° ΠΈ Π΄ΠΎΠ»Π³ΠΎ ΠΈΡΠΊΠ°Π»Π° ΠΏΠΎΡ
ΠΎΠΆΠΈΠΉ ΡΠ΅ΡΡΠΈΠ½Π³ ΠΈ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ. ΠΠ΄Π΅ΡΡ Π½Π΅ ΠΏΡΠΎ ΡΠΎΠΊ-ΠΌΡΠ·ΡΠΊΡ ΠΈ Π½Π΅ ΡΠ°ΠΊΠΎΠΉ ΠΏΠΎΠ΄Ρ
ΠΎΠ΄, ΠΊΠ°ΠΊ Ρ ΠΠ΅ΠΉΠ·ΠΈ, Π½ΠΎ ΡΠ»ΠΎΠ³ Π±ΡΠ» ΠΎΡΠ΅Π½Ρ ΠΏΡΠΎΡΡΡΠΌ, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π΄Π»Ρ ΡΡΠΎΠ²Π½Ρ Π1-Π2. Π‘Π°ΠΌΠ° ΠΎΠ±Π»ΠΎΠΆΠΊΠ° ΠΌΡΠ³ΠΊΠ°Ρ, Π½ΠΎ ΡΠ΄ΠΎΠ±Π½Π°Ρ ΠΈ Π½Π΅ ΠΌΠ½Π΅ΡΡΡ. ΠΠ΅Π±ΠΎΠ»ΡΡΠΎΠ³ΠΎ ΡΠ°Π·ΠΌΠ΅ΡΠ° ΠΊΠ½ΠΈΠ³Π°, ΡΠ΄ΠΎΠ±Π½ΠΎ Π±ΡΠ»ΠΎ Π±ΡΠ°ΡΡ Ρ ΡΠΎΠ±ΠΎΠΉ Π² Π΄ΠΎΡΠΎΠ³Ρ.