A dreamlike meditation on memory, food, paintings, a fond uncle and the improbable beauty of Bologna, from the visionary thinker and art critic.
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
The Red Tenda of Bologna
ΠΡΠΎΡ ΡΠΎΠ²Π°Ρ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΡΡ
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
- Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ 56
- ΠΠ΅Ρ, Π³ 50
- Π Π°Π·ΠΌΠ΅Ρ 0.6x11x16
- Π‘Π΅ΡΠΈΡ Penguin Modern ΠΌ
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2018
- ID ΡΠΎΠ²Π°ΡΠ° 2873296
ΠΡΠ·ΡΠ²Ρ
ΠΡΠ΅ΠΊΡΠ°ΡΠ½Π°Ρ ΠΠΎΠ»ΠΎΠ½ΡΡ.
ΠΠ°ΡΠ΅ΡΡΠ²ΠΎ Π±ΡΠΌΠ°Π³ΠΈ Π² ΠΊΠ½ΠΈΠ³Π΅ ΡΠ°ΠΊΠΎΠ΅ ΠΆΠ΅ ΠΊΠ°ΠΊ Π² "ΠΏΠΈΠ½Π³Π²ΠΈΠ½ ΠΊΠ»Π°ΡΡΠΈΠΊ". ΠΠ½ΠΈΠ³Π° ΠΌΠ°Π»Π΅Π½ΡΠΊΠ°Ρ ΠΈ ΡΠΎΠ½Π΅Π½ΡΠΊΠ°Ρ (ΠΎΠ½Π° ΠΌΠ΅Π½ΡΡΠ΅ ΡΡΠ°Π½Π΄Π°ΡΡΠ½ΡΡ
ΠΊΠ½ΠΈΠ³ ΠΈ ΡΠΎΠ»ΡΠΈΠ½ΠΎΠΉ Π²ΡΠ΅Π³ΠΎ 50 ΡΡΡΠ°Π½ΠΈΡ), Π½ΠΎ Π·Π°Π³Π»ΡΠ½ΡΠ² Π² Π½Π΅Π΅ ΡΡ ΠΏΠΎΠ½ΠΈΠΌΠ°Π΅ΡΡ ΡΡΠΎ ΡΡΠΎ ΠΎΠ½Π° Π΅ΡΠ΅ ΡΠ°ΡΡΡΠ½ΡΡΠ°. ΠΠ° ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΡΡΡΠ°Π½ΠΈΡΠ΅ ΠΎΠ³ΡΠΎΠΌΠ½ΡΠ΅ ΠΎΡΡΡΡΠΏΡ ΡΠ²Π΅ΡΡ
Ρ ΠΈ ΡΠ½ΠΈΠ·Ρ, ΡΠ΅ΠΊΡΡΠ° Π² ΠΏΠ°ΡΡ ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½ΠΈΠΉ. ΠΠ±ΡΡΠ²ΠΎΡΠ½ΡΠ΅ Π·Π°ΠΏΠΈΡΠΈ ΠΈΠ»ΠΈ Π΄Π°ΠΆΠ΅ ΠΊΠ°ΠΊΠΈΠ΅-ΡΠΎ Π½Π΅Π±ΠΎΠ»ΡΡΠΈΠ΅ Π·Π°ΠΌΠ΅ΡΠΊΠΈ. ΠΠΎΠ½Π΅ΡΠ½ΠΎ ΠΎΡΠΊΡΡΠ² ΠΊΠ½ΠΈΠ³Ρ ΠΈ ΠΏΠΎΡΠΌΠΎΡΡΠ΅Π² ΡΡΠΎ Π²Π½ΡΡΡΠΈ ΠΈΡΠΏΡΡΡΠ²Π°Π΅ΡΡ ΡΠ°Π·ΠΎΡΠ°ΡΠΎΠ²Π°Π½ΠΈΠ΅.
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