Two boys exchange their clothes and their lives in Mark Twains classic satiric comedy.
They are the same age. They look alike. In fact, there is but one difference between them: Tom Canty is a child of the London slums; Edward Tudor is heir to the throne of England. Just how insubstantial this difference really is becomes clear when a chance encounter leads to an exchange of roles...with the pauper caught up in the pomp and folly of the royal court, and the prince wandering, horror-stricken, through the lower depths of sixteenth-century English society.
Out of the theme of switched identities, Mark Twain has fashioned both a scathing attack upon social hypocrisy and injustice a
They are the same age. They look alike. In fact, there is but one difference between them: Tom Canty is a child of the London slums; Edward Tudor is heir to the throne of England. Just how insubstantial this difference really is becomes clear when a chance encounter leads to an exchange of roles...with the pauper caught up in the pomp and folly of the royal court, and the prince wandering, horror-stricken, through the lower depths of sixteenth-century English society.
Out of the theme of switched identities, Mark Twain has fashioned both a scathing attack upon social hypocrisy and injustice a
The Prince and The Pauper
ΠΡΠΎΡ ΡΠΎΠ²Π°Ρ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΡΡ
ΠΡΠΏΠΈΠ»ΠΈ 9 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
They are the same age. They look alike. In fact, there is but one difference between them: Tom Canty is a child of the London slums; Edward Tudor is heir to the throne of England. Just how insubstantial this difference really is becomes clear when a chance encounter leads to an exchange of roles...with the pauper caught up in the pomp and folly of the royal court, and the prince wandering, horror-stricken, through the lower depths of sixteenth-century English society.
Out of the theme of switched identities, Mark Twain has fashioned both a scathing attack upon social hypocrisy and injustice and an irresistible comedy imbued with the sense of high-spirited play that belongs to his most creative period.
With an Afterword by Everett Emerson
- Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ 228
- ΠΠ΅Ρ, Π³ 140
- Π Π°Π·ΠΌΠ΅Ρ 1.5x10.6x17
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2002
- ID ΡΠΎΠ²Π°ΡΠ° 2873143
ΠΡΠ·ΡΠ²Ρ
ΠΡΠΈΠ½Ρ ΠΈ Π½ΠΈΡΠΈΠΉ
ΠΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΠ°ΡΠΊΠ° Π’Π²Π΅Π½Π° Π² ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»Π΅, ΠΏΠΎΠ»ΠΎΠΆΠΈΠ²ΡΠ΅Π΅ Π½Π°ΡΠ°Π»ΠΎ ΡΠ΅Π»ΠΎΠΌΡ ΠΏΠΎΠ΄ΠΆΠ°Π½ΡΡ Π² Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ΅. ΠΡΡΠΎΡΠΈΡ Π΄Π²ΡΡ
ΠΌΠ°Π»ΡΡΠΈΠΊΠΎΠ², ΠΏΡΠΈΠ½ΡΠ°, Π½Π°ΡΠ»Π΅Π΄Π½ΠΈΠΊΠ° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ΅ΡΡΠΎΠ»Π° ΠΈ Π΅Π³ΠΎ Π°Π½ΡΠΈΠΏΠΎΠ΄Π°, ΡΠΎΠΆΠ΄ΡΠ½Π½ΠΎΠ³ΠΎ Π² Π»ΠΎΠ½Π΄ΠΎΠ½ΡΠΊΠΈΡ
ΡΡΡΡΠΎΠ±Π°Ρ
Π±Π΅Π΄Π½ΠΎΠ³ΠΎ ΠΌΠ°Π»ΡΡΠΈΠΊΠ°, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΌΠ΅Π½ΡΡΡΡΡ ΠΌΠ΅ΡΡΠ°ΠΌΠΈ ΠΈ Ρ ΡΡΠΎΠ³ΠΎ Π½Π°ΡΠΈΠ½Π°Π΅ΡΡΡ ΡΠ΅ΡΠ΅Π΄Π° ΠΏΡΠΈΠΊΠ»ΡΡΠ΅Π½ΠΈΠΉ Π΄Π»Ρ ΠΎΠ±ΠΎΠΈΡ
Π³Π΅ΡΠΎΠ΅Π². ΠΠ°ΠΏΠΈΡΠ°Π½ΠΎ ΠΆΠΈΠ²ΠΎ ΠΈ ΡΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎ. Π―Π·ΡΠΊ Π΄ΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ Π»ΡΠ³ΠΊΠΈΠΉ ΠΈ ΠΏΠΎΠ½ΡΡΠ½ΡΠΉ. ΠΡΠ»ΠΈΡΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π΄Π»Ρ ΠΈΠ·ΡΡΠ°ΡΡΠΈΡ
Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ Ρ ΡΡΠΎΠ²Π½Π΅ΠΌ B1.
ΠΠ»ΡΡΡ
ΡΠ΅Π½Π°, ΡΡΠΈΡΡ
ΠΠΈΠ½ΡΡΡ
Π½Π΅Ρ