An in-depth look at Christopher Nolan, considered to be the most profound, commercially successful director at work today, written with his full cooperation. A rare, revelatory portrait, as close as youre ever going to get to the Escher drawing that is Christopher Nolans remarkable brain (Sam Mendes).
In chapters structured by themes and motifs (Time; Chaos; Dreams), Shone offers an unprecedented intimate view of the director. Shone explores Nolans thoughts on his influences, his vision,
In chapters structured by themes and motifs (Time; Chaos; Dreams), Shone offers an unprecedented intimate view of the director. Shone explores Nolans thoughts on his influences, his vision,
The Nolan Variations. The Movies, Mysteries, and Marvels of Christopher Nolan
ΠΡΠΎΡ ΡΠΎΠ²Π°Ρ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΡΡ
ΠΡΠΏΠΈΠ»ΠΈ 19 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
In chapters structured by themes and motifs (Time; Chaos; Dreams), Shone offers an unprecedented intimate view of the director. Shone explores Nolans thoughts on his influences, his vision, his enigmatic childhood past--and his movies, from plots and emotion to identity and perception, including his latest blockbuster, the action-thriller/spy-fi Tenet (Big, brashly beautiful, grandiosely enjoyable--Variety). Filled with the directors never-before-seen photographs, storyboards, and scene sketches, here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films. Fabulous: intelligent, illuminating, rigorous, and highly readable. The very model of what a filmmaking study should be. Essential reading for anyone who cares about Nolan or about film for that matter.--Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood and Walt Disney, The Biography
- ΠΠΎΠ»-Π²ΠΎ ΡΡΡ. 381
- ΠΠ΅Ρ 1190 Π³
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2020
- Π Π°Π·ΠΌΠ΅Ρ 3x19x23.5
- ID ΡΠΎΠ²Π°ΡΠ° 2873045
- ISBN 978-0-52-565532-9, 978-0-525-65532-9
ΠΡΠ·ΡΠ²Ρ
ΠΡΠ»ΠΈΡΠ½Π°Ρ ΠΊΠ½ΠΈΠ³Π°, ΠΊΠΎΡΠΎΡΠ°Ρ ΡΠΎΡΠ½ΠΎ ΠΏΠΎΠ½ΡΠ°Π²ΠΈΡΡΡ ΠΏΠΎΠΊΠ»ΠΎΠ½Π½ΠΈΠΊΠ°ΠΌ ΠΡΠΈΡΡΠΎΡΠ΅ΡΠ° ΠΠΎΠ»Π°Π½Π°. Π Π½Π΅ΠΉ ΡΠ°ΡΡΠΊΠ°Π·Π°Π½Π° ΠΈΡΡΠΎΡΠΈΡ Π΅Π³ΠΎ ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ ΠΈ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΈ Π΅Π³ΠΎ Π²Π΄ΠΎΡ
Π½ΠΎΠ²Π΅Π½ΠΈΡ, ΠΎΠΏΠΈΡΠ°Π½Π½ΡΠ΅ ΠΊΠ°ΠΊ ΡΠ²ΡΠ·Π°Π½Π½Π°Ρ Π²ΠΎΠ΅Π΄ΠΈΠ½ΠΎ ΠΈΡΡΠΎΡΠΈΡ ΠΈ ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ Ρ ΡΠ΅ΠΆΠΈΡΡΡΡΠΎΠΌ. ΠΡΠΈΠΎΡΠΊΡΡΠ²Π°ΡΡΡΡ ΡΠ°ΠΉΠ½Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ Π΅Π³ΠΎ ΡΠΈΠ»ΡΠΌΠΎΠ² ΠΎΡ ΡΠ°ΡΠ½Π΄ΡΡΠ΅ΠΊΠ° Π΄ΠΎ ΠΌΠΎΠ½ΡΠ°ΠΆΠ°. Π’Π°ΠΊΠΆΠ΅ ΠΊΠ½ΠΈΠ³Π° ΠΏΠΎΠ»Π½Π° ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΉ ΠΈ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΉ ΡΠΎ ΡΡΡΠΌΠΎΠΊ.
ΠΠ»ΡΡΡ
ΠΡΠ°ΡΠΈΠ²ΠΎΠ΅ ΠΏΠΎΠ΄Π°ΡΠΎΡΠ½ΠΎΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ Π½Π° ΡΠ·ΡΠΊΠ΅ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»Π°
The Nolan Variations. The Movies, Mysteries, and Marvels of Christopher Nolan
ΠΠ½ΠΈΠ³Π°, ΠΊΠΎΡΠΎΡΡΡ Π΄Π°Π²Π½ΠΎ Ρ
ΠΎΡΠ΅Π»ΠΎΡΡ ΠΏΡΠΎΡΠΈΡΠ°ΡΡ. ΠΠ²ΡΠΎΡ ΠΏΡΠΎΠ²Π΅Π» ΠΎΠ³ΡΠΎΠΌΠ½ΡΡ ΡΠ°Π±ΠΎΡΡ - Π·Π΄Π΅ΡΡ ΠΈ Π»ΠΈΡΠ½ΡΠ΅ Π±Π΅ΡΠ΅Π΄Ρ Ρ ΡΠ΅ΠΆΠΈΡΡΠ΅ΡΠΎΠΌ, ΠΈ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΡΠΉ ΡΠ°Π·Π±ΠΎΡ ΡΠΈΠ»ΡΠΌΠΎΠ² ΠΈ ΡΠ΅ΠΌ Π² Π½ΠΈΡ
, ΠΏΡΠΎΡΡΠΎ ΠΊΠ»Π°Π΄Π΅Π·Ρ Π΄Π»Ρ Π»ΡΠ±ΠΎΠ³ΠΎ ΠΊΠΈΠ½ΠΎΠΌΠ°Π½Π°. ΠΠ°ΠΏΠΈΡΠ°Π½Π° ΠΎΠ½Π° Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΠΏΡΠΎΡΡΠΎ, ΡΠ°ΠΊ ΡΡΠΎ Π΄Π°ΠΆΠ΅ Π΅ΡΠ»ΠΈ Π·Π½Π°Π½ΠΈΠΉ ΡΠ·ΡΠΊΠ° Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ, Π»ΡΠ±ΠΎΠ΅ ΠΎΡΠ²Π»Π΅ΡΠ΅Π½ΠΈΠ΅ Π½Π° ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄ ΠΊΠ°ΠΊΠΎΠ³ΠΎ-Π½ΠΈΠ±ΡΠ΄Ρ ΡΠ»ΠΎΠ²Π° Π½ΠΈΠΊΠ°ΠΊ Π½Π΅ ΠΌΠ΅ΡΠ°Π΅Ρ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ.
ΠΠ΄Π½ΠΎΠ·Π½Π°ΡΠ½ΠΎ ΠΊ ΠΏΡΠΎΡΡΠ΅Π½ΠΈΡ Π²ΡΠ΅ΠΌ ΡΠ°Π½Π°ΡΠ°ΠΌ ΠΠΎΠ»Π°Π½Π°, ΠΊ ΠΊΠΎΠΈΠΌ ΠΌΠΎΠ³Ρ ΠΎΡΠ½Π΅ΡΡΠΈ ΠΈ ΡΠ΅Π±Ρ.
ΠΠ΄Π½ΠΎΠ·Π½Π°ΡΠ½ΠΎ ΠΊ ΠΏΡΠΎΡΡΠ΅Π½ΠΈΡ Π²ΡΠ΅ΠΌ ΡΠ°Π½Π°ΡΠ°ΠΌ ΠΠΎΠ»Π°Π½Π°, ΠΊ ΠΊΠΎΠΈΠΌ ΠΌΠΎΠ³Ρ ΠΎΡΠ½Π΅ΡΡΠΈ ΠΈ ΡΠ΅Π±Ρ.
ΠΠ»ΡΡΡ
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅. ΠΠ°ΠΊ ΠΏΠΎ ΠΌΠ½Π΅ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½Π°Ρ ΠΊΠ½ΠΈΠ³Π°.
ΠΠΈΠ½ΡΡΡ
Π¦Π΅Π½Π°. ΠΠΎ Π·Π°ΡΠΎ ΡΡΠΎ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½Π°Ρ ΠΊΠ½ΠΈΠ³Π°.