#1 NEW YORK TIMES BESTSELLER - The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words--featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death
NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN - NOMINATED FOR THE NAACP IMAGE AWARD
Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from th
NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN - NOMINATED FOR THE NAACP IMAGE AWARD
Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from th
The Beautiful Ones
ΠΡΠΎΡ ΡΠΎΠ²Π°Ρ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΡΡ
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN - NOMINATED FOR THE NAACP IMAGE AWARD
Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of "Uptown" to the mythical landscape of Purple Rain to the psychedelia of "Paisley Park." But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era.
The Beautiful Ones is the story of how Prince became Prince--a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince's early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince's evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain--the final stage in Prince's self-creation, where he retells the autobiography of the first three parts as a heroic journey.
The book is framed by editor Dan Piepenbring's riveting and moving introduction about his profound collaboration with Prince in his final months--a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated--and annotations that provide context to the book's images.
This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince's ideas and vision, his voice and image--his undying gift to the world.
- Π’ΠΈΠΏ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ 288
- ΠΠ΅Ρ, Π³ 870
- Π Π°Π·ΠΌΠ΅Ρ 2.4x16.3x24
- ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Spiegel & Grau
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2019
- ISBN 978-0-399-58965-2
- ID ΡΠΎΠ²Π°ΡΠ° 2933570
ΠΡΠ·ΡΠ²Ρ
Ρ
ΠΎΡΠΎΡΠΈΠΉ ΡΠΎΠΌΠ°Π½
Π ΠΎΠΌΠ°Π½ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΠΈΠ½ΡΠΈΠΌΠ½ΡΠΉ. Π Π½Π΅ΠΌ Π²ΡΠ΅Π³ΠΎ ΡΠ΅ΡΡΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ, ΠΊΠΎΡΠΎΡΡΠ΅ Π²Π΅Π΄ΡΡ Π±Π΅ΡΠ΅Π΄Ρ ΠΈ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΡΡΡ Π΄ΡΡΠ³ Ρ Π΄ΡΡΠ³ΠΎΠΌ.
ΠΡΠΎΠ·Π° Π°Π²ΡΠΎΡΠ° Π΄Π΅ΠΉΡΡΠ²ΠΈΡΠ΅Π»ΡΠ½ΠΎ Π±ΠΎΠ³Π°ΡΠ°, ΠΈΠ·ΡΡΠΊΠ°Π½Π½Π° ΠΈ ΡΠ»Π΅Π³Π°Π½ΡΠ½Π°.
ΠΠ΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡ Π² Π²ΡΠΌΡΡΠ»Π΅Π½Π½ΠΎΠΌ ΠΌΠΈΡΠ΅, Π½ΠΎ Π² ΠΏΡΠ΅Π΄Π΅Π»Π°Ρ ΠΊΠΎΠ½ΡΠ° XIX - Π½Π°ΡΠ°Π»Π° XX Π²Π΅ΠΊΠ°, ΠΊΠΎΠ³Π΄Π° Π²ΠΎΠ·Π½ΠΈΠΊ ΠΈΠ½ΡΠ΅ΡΠ΅Ρ ΠΊ Π½Π°ΡΠΊΠ΅ ΠΈ Π½Π°ΡΡΡΠ°Π»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡΠΌ, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅ ΠΈ ΡΠΎ ΡΡΠΎΡΠΎΠ½Ρ Π½Π΅ΠΎΡΠ΄ΠΈΠ½Π°ΡΠ½ΡΡ ΠΈ Π±ΡΠ½ΡΠ°ΡΡΠΊΠΈΡ ΠΆΠ΅Π½ΡΠΈΠ½. ΠΠΈΠ½Π° - ΠΊΠ°ΠΊ ΡΠ°Π· ΡΠ°ΠΊΠ°Ρ Π»ΠΈΡΠ½ΠΎΡΡΡ. ΠΠ½Π° ΡΠ΄Π΅Π»Π°Π»Π° ΡΡΡ ΠΊΠ½ΠΈΠ³Ρ ΡΠ΅Π½Π½ΠΎΠΉ Π΄Π»Ρ ΠΌΠ΅Π½Ρ.
ΠΡΡΠ°Π»ΡΠ½ΡΠ΅ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠΈ Π½Π΅ Π²ΡΠ΅Π³Π΄Π° ΠΌΠ½Π΅ Π½ΡΠ°Π²ΠΈΠ»ΠΈΡΡ, Π½ΠΎ ΡΠΈΠ½Π°Π» ΡΠΎΠΌΠ°Π½Π° ΠΏΡΠΈΡΡΠ΅Π½.
P.S. Π₯ΠΎΡΡ ΠΎΡΠΌΠ΅ΡΠΈΡΡ, ΠΊΠ°ΠΊ ΡΠΈΡΠ°Π» ΡΡΡ ΠΊΠ½ΠΈΠ³Ρ Π½Π΅ Π½ΠΎΡΠΈΡΠ΅Π»Ρ ΡΠ·ΡΠΊΠ° Ρ ΡΡΠΎΠ²Π½Π΅ΠΌ B2+. Π§Π΅ΡΡΠ½ΠΎ Π³ΠΎΠ²ΠΎΡΡ, ΡΡΠΎ Π±ΡΠ»ΠΎ Π·Π°ΠΌΠ΅ΡΠ½ΠΎ ΡΠ»ΠΎΠΆΠ½ΠΎ. ΠΠ²ΡΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅Ρ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΠΎΠ±ΡΠΈΡΠ½ΡΠΉ ΡΠ»ΠΎΠ²Π°ΡΠ½ΡΠΉ Π·Π°ΠΏΠ°Ρ, ΠΈ ΠΏΠΎΠ½Π°ΡΠ°Π»Ρ Ρ ΠΌΠ΅Π½Ρ Π½Π° ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΡΡΡΠ°Π½ΠΈΡΠ΅ Π±ΡΠ»ΠΎ ΠΎΠΊΠΎΠ»ΠΎ Π΄Π΅ΡΡΡΠΈ Π½Π΅Π·Π½Π°ΠΊΠΎΠΌΡΡ ΡΠ»ΠΎΠ². ΠΠΏΡΠΎΡΠ΅ΠΌ, Π² ΠΊΠ½ΠΈΠ³Π΅ Π²ΡΠ΅Π³ΠΎ 300 ΡΡΡΠ°Π½ΠΈΡ, ΡΠ°ΠΊ ΡΡΠΎ Π²ΡΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ.
ΠΡΠΎΠ·Π° Π°Π²ΡΠΎΡΠ° Π΄Π΅ΠΉΡΡΠ²ΠΈΡΠ΅Π»ΡΠ½ΠΎ Π±ΠΎΠ³Π°ΡΠ°, ΠΈΠ·ΡΡΠΊΠ°Π½Π½Π° ΠΈ ΡΠ»Π΅Π³Π°Π½ΡΠ½Π°.
ΠΠ΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡ Π² Π²ΡΠΌΡΡΠ»Π΅Π½Π½ΠΎΠΌ ΠΌΠΈΡΠ΅, Π½ΠΎ Π² ΠΏΡΠ΅Π΄Π΅Π»Π°Ρ ΠΊΠΎΠ½ΡΠ° XIX - Π½Π°ΡΠ°Π»Π° XX Π²Π΅ΠΊΠ°, ΠΊΠΎΠ³Π΄Π° Π²ΠΎΠ·Π½ΠΈΠΊ ΠΈΠ½ΡΠ΅ΡΠ΅Ρ ΠΊ Π½Π°ΡΠΊΠ΅ ΠΈ Π½Π°ΡΡΡΠ°Π»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡΠΌ, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅ ΠΈ ΡΠΎ ΡΡΠΎΡΠΎΠ½Ρ Π½Π΅ΠΎΡΠ΄ΠΈΠ½Π°ΡΠ½ΡΡ ΠΈ Π±ΡΠ½ΡΠ°ΡΡΠΊΠΈΡ ΠΆΠ΅Π½ΡΠΈΠ½. ΠΠΈΠ½Π° - ΠΊΠ°ΠΊ ΡΠ°Π· ΡΠ°ΠΊΠ°Ρ Π»ΠΈΡΠ½ΠΎΡΡΡ. ΠΠ½Π° ΡΠ΄Π΅Π»Π°Π»Π° ΡΡΡ ΠΊΠ½ΠΈΠ³Ρ ΡΠ΅Π½Π½ΠΎΠΉ Π΄Π»Ρ ΠΌΠ΅Π½Ρ.
ΠΡΡΠ°Π»ΡΠ½ΡΠ΅ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠΈ Π½Π΅ Π²ΡΠ΅Π³Π΄Π° ΠΌΠ½Π΅ Π½ΡΠ°Π²ΠΈΠ»ΠΈΡΡ, Π½ΠΎ ΡΠΈΠ½Π°Π» ΡΠΎΠΌΠ°Π½Π° ΠΏΡΠΈΡΡΠ΅Π½.
P.S. Π₯ΠΎΡΡ ΠΎΡΠΌΠ΅ΡΠΈΡΡ, ΠΊΠ°ΠΊ ΡΠΈΡΠ°Π» ΡΡΡ ΠΊΠ½ΠΈΠ³Ρ Π½Π΅ Π½ΠΎΡΠΈΡΠ΅Π»Ρ ΡΠ·ΡΠΊΠ° Ρ ΡΡΠΎΠ²Π½Π΅ΠΌ B2+. Π§Π΅ΡΡΠ½ΠΎ Π³ΠΎΠ²ΠΎΡΡ, ΡΡΠΎ Π±ΡΠ»ΠΎ Π·Π°ΠΌΠ΅ΡΠ½ΠΎ ΡΠ»ΠΎΠΆΠ½ΠΎ. ΠΠ²ΡΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅Ρ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΠΎΠ±ΡΠΈΡΠ½ΡΠΉ ΡΠ»ΠΎΠ²Π°ΡΠ½ΡΠΉ Π·Π°ΠΏΠ°Ρ, ΠΈ ΠΏΠΎΠ½Π°ΡΠ°Π»Ρ Ρ ΠΌΠ΅Π½Ρ Π½Π° ΠΊΠ°ΠΆΠ΄ΠΎΠΉ ΡΡΡΠ°Π½ΠΈΡΠ΅ Π±ΡΠ»ΠΎ ΠΎΠΊΠΎΠ»ΠΎ Π΄Π΅ΡΡΡΠΈ Π½Π΅Π·Π½Π°ΠΊΠΎΠΌΡΡ ΡΠ»ΠΎΠ². ΠΠΏΡΠΎΡΠ΅ΠΌ, Π² ΠΊΠ½ΠΈΠ³Π΅ Π²ΡΠ΅Π³ΠΎ 300 ΡΡΡΠ°Π½ΠΈΡ, ΡΠ°ΠΊ ΡΡΠΎ Π²ΡΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ.