With his instantly recognizable decorative style, Czech artist and Art Nouveau master Alphonse Mucha (1860β1939) defined the look of the fin-de-siΓ¨cle. In evocative shades of peach, gold, ochre, and olive, his seductive compositions of patterns, flowers, and beautiful women became paradigms of the Belle Γpoque years.
Muchaβs work permeated illustration, posters, postcards, and the advertising designs of his day. His striking posters of star actress Sarah Bernhardt were particularly famous. Alongside this delicate decorative work, Mucha also harbored strongly felt political ideas. With his monumental cycle The Slav Epic, he expressed his staunch support for Pan-Slavism, promoting the p
Muchaβs work permeated illustration, posters, postcards, and the advertising designs of his day. His striking posters of star actress Sarah Bernhardt were particularly famous. Alongside this delicate decorative work, Mucha also harbored strongly felt political ideas. With his monumental cycle The Slav Epic, he expressed his staunch support for Pan-Slavism, promoting the p
Mucha
ΠΡΠΏΠΈΠ»ΠΈ 7 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
Muchaβs work permeated illustration, posters, postcards, and the advertising designs of his day. His striking posters of star actress Sarah Bernhardt were particularly famous. Alongside this delicate decorative work, Mucha also harbored strongly felt political ideas. With his monumental cycle The Slav Epic, he expressed his staunch support for Pan-Slavism, promoting the political independence of the Czech and Slavic nations from the Austro-Hungarian Empire.
Compiled in association with the Mucha Foundation, this book presents key works and introduces the full reach of Muchaβs Εuvre from patterned decoration to his book illustrations, posters, photographs and monumental paintings.
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ 96
- ΠΠ΅Ρ, Π³ 600
- Π Π°Π·ΠΌΠ΅Ρ 1.5x21.5x26.5
- ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Taschen
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ 2021
- ISBN 978-3-83-655009-3, 978-3-8365-5009-3
- ID ΡΠΎΠ²Π°ΡΠ° 3029184
ΠΡΠ·ΡΠ²Ρ
ΠΡΠ»ΠΈΡΠ½Π°Ρ ΡΠ΅ΡΠΈΡ ΠΊΠ½ΠΈΠ³. Π‘ΡΠΎΠΈΡ ΡΡΡΡ ΠΌΠ΅Π½ΡΡΠ΅ ΡΠ΅ΠΌ Π±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½Π°Ρ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠ°, Π½ΠΎ ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ Π½ΠΈΡΡΡΡ Π½Π΅ ΠΌΠ΅Π½ΡΡΠ΅ ΠΏΠΎΠ»Π΅Π·Π½ΠΎΠΉ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ ΠΈ ΠΏΠΎΡΡΡΡΠ°ΡΡΠΈΡ
ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΉ. ΠΠΎΠ΄ΠΎΠΉΠ΄Π΅Ρ ΠΎΡΠ»ΠΈΡΠ½ΠΎ Π² ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΠΏΠΎΠ΄Π°ΡΠΊΠ°, ΡΠ΅ΠΌ Π±ΠΎΠ»Π΅Π΅, ΡΡΠΎ ΠΏΡΠΈΡ
ΠΎΠ΄ΠΈΡ ΠΊΠ½ΠΈΠ³Π° Π² ΡΠΈΡΠΌΠ΅Π½Π½ΠΎΠΉ Π·Π°ΠΏΠ°ΠΉΠΊΠ΅ - ΠΏΠ»Π΅Π½ΠΊΠ΅ - Π³Π°ΡΠ°Π½ΡΠΈΠΈ ΡΠΎΠ³ΠΎ, ΡΡΠΎ ΠΊΠ½ΠΈΠ³Π° Π±ΡΠ΄Π΅Ρ Π½ΠΎΠ²Π°Ρ ΠΈ Π±Π΅Π· ΠΏΠΎΠ²ΡΠ΅ΠΆΠ΄Π΅Π½ΠΈΠΉ ΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΈ Π²Π½ΡΡΡΠ΅Π½Π½Π΅ΠΉ ΡΠ°ΡΡΠΈ. Π‘ΠΎΠ²Π΅ΡΡΡ ΡΠ°ΠΊΠΆΠ΅ Π΄Π»Ρ Π΄ΠΎΠΌΠ°ΡΠ½Π΅ΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ Π²ΡΠ΅ΠΌ ΡΠ΅Π½ΠΈΡΠ΅Π»ΡΠΌ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎΠ³ΠΎ